Good Art Is Worth Waiting For

This article contains spoilers for You Can See Everything About halfway into Nathan Fielder and Lance Oppenheim’s new A24 movie You Can See Everything, there is a scene that plays like a memory. Nathan Fielder stands, in the present of the movie, inside a San Diego ocean-front house looking out at the crashing waves, remembering. Then, playing for the viewer: two unidentifiable people in the ocean, frolicking, swimming in the icy cold waves, a blonde woman and a brunette man, both tall, both smiling. The camaraderie between them is undeniable.

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