‘Ghost Song’ Review: Fatih Akin Doesn’t Find Top Form in This Supernatural Romance, but at Least It Has Beautiful Ghosts

Since hitting an artistic peak with the back-to-back festival triumphs “Head-On” and “Edge of Heaven” in the mid-2000s, German-Turkish auteur Fatih Akin has darted all over the map in genre, style and form — occasionally striking commercially, as with the Diane Kruger thriller “In the Fade” and the local hip-hop biopic “Rhinegold,” without ever matching […]

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